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Let the Music Speak!

Offering Live Music Performances, and Concerts.

Future Engagements

Daughter of the Regiment

Music of Gaetano Donizetti

April 24, 7:00pm

April 26, 3:00 pm

May 2, 7:30pm

May 2, 7:30pm


Beethoven’s Ninth Symphony

Ron Williams, bass soloist

May 16, 7:00pm

May 17, 3:00pm


Falstaff

Music of Giuseppe Verdi

June 5, 8:00pm

June 7, 2:00pm

Reputed Concert Artist in Greater Boston Area

The Rake’s Progress(Stravinsky) Nick Shadow
Opera Laboratory Theater MIT Experimental Media Facility-

“Ron Williams was a stunning nick shadow, a gusty-voiced, literate singer. His dance of glee with tom will linger in the memory.”

-The Boston Globe

Ron Williams
2-10

New Bio

Recognized nationwide for his artistry in the field of opera and oratorio, Ron Williams continues to gather acclaim for his work onstage and in the concert hall. He has sung leading roles with opera companies nationally, including San Francisco Spring Opera, Michigan Opera Theatre and Opera San Jose, where he created the role of Edward in the world premiere of Alva Henderson’s The Last Leaf.

In New England, Williams debuted with Boston Lyric Opera in the revival of Kurt Weill’s Lost in the Stars, receiving critical acclaim from The New York Times. He portrayed nemesis Nick Shadow in the much-heralded production of The Rake’s Progress with Boston’s Opera Lab at the MIT. The Boston Globe praised his performance of Figaro in Opera New England’s The Barber of Seville. With Greater Worcester opera, he has performed Escamillo in Carmen, as well as the title role in Mozart’s Don Giovanni. This spring saw his solo debut with Rhode Island Philharmonic and Boston Youth Symphony Orchestra.

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Mr. Williams was a regional finalist in the San Francisco Opera National Auditions. Ron remains passionately interested in arts education for young audiences and has performed in the National Children’s Arts Festival at JFK Center for the Performing Arts in Washington D.C.

Mr. Williams maintains a busy concert schedule having performed with Cantata Singers, Symphony Pro Musica, as well as the Dartmouth College Symphony where he participated in Beethoven’s Fidelio. Ron took on the role of the biblical narrator in a performance of King David by Arthur Honneger with The Masterworks Chorale. He performed the one-man opera of Domenico Cimarosa, Il Maestro di Cappella with Boston Civic Symphony. He made his debut with Boston Cecilia in Britten’s Cantata Misericordium. He also performed the role of Christus in J.S. Bach's Saint Matthew Passion. In 2019, he reprised the title role in Puccini’s comic opera Gianni Schicchi with Opera Susquehanna in Pennsylvania.

Ron made his European debut with the Düsseldorf Chamber Orchestra in Germany. His stage debut was in Saint Gallen, Switzerland and has performed on stages throughout Europe.

An artist committed to bringing to the stage the works of twentieth-century American composers, Ron performed Reverend Clayton in the MassOpera/Chicago Opera Theatre production of Freedom Ride, by Dan Shore. He sang The Life and times of Malcolm X with Boston Modern Orchestra Project as well as Champion, an Opera in Jazz by Terrence Blanchard with Boston Lyric Opera.

Future dates will include the new England premiere of Omar, an opera by Rhiannon Giddens and Michael Abels with Boston Lyric Opera.

For more information, please visit www.RonSings.com

Press

Opera Reviews

Greater Worcester Opera

“All the vocal performances are strong, but Ron Williams takes the show to a higher level with his vocal prowess and commanding presence.”

-Worcester Telegram & Gazette

Edward Berkeley Chamber Orchestra

“Ms. Edgerton’s voice contrasted nicely with Williams’ deep, rich baritone and precise diction.”

-San Jose Mercury

Aeneas Opera San Jose

“Williams was an imposing Aeneas.”

-Peninsula Times Tribune(CA)

King of Hearts Kennedy Center for the Performing Arts

“The baritone Ron Williams was the children’s favorite.”

-Washington Post

Nick Shadow Opera Laboratory Theater MIT Experimental Media Facility

“Ron Williams was a stunning Nick Shadow, a gusty-voiced, literate singer. His dance of glee with Tom will linger in the memory.”

-The Boston Globe

The Leader Boston Lyric Opera

“Ron Williams was focused and nuanced.”

-The New York Times

Figaro Opera New England

“The most convincing of the singers was Ronald Williams in the title role; he’s got the voice and technique for the part, and he’s a real firecracker onstage.”

-The Boston Globe

Sharpless Salisbury Lyric Opera (Worcester)

“Impressive performance by Ron Williams as the U.S. Consul in Nagasaki, who infused his role with a well-realized sense of dignity”

-Worcester Telegram & Gazette

Concert Reviews

“The most memorable soloist was Ron Williams, whose strong, attractive voice carried the Dvorak through the church with utter conviction.”

-San Jose Mercury

“Williams brought stunning, even shocking power and depth to the role of the traveler.”

-Boston Music Intelligencer

Calendar

Future Engagements

Daughter of the Regiment

Music of Gaetano Donizetti

(Professional ensemble member) with Boston Lyric Opera

Kelly Cuo, conductor

Friday, April 24   7:00pm

Sunday April 26   3:00 pm

Friday, May 2   7:30pm

Sunday, May 3   3:00 pm

Emerson Colonial Theatre

106 Boylston Street

Boston, MA 02116


Beethoven’s Ninth Symphony

Ron Williams, bass soloist

Brockton Symphony Orchestra

Cantata Singers

John Masko, conductor

Saturday, May 16, 7:00pm

Stoughton High School

Sunday, May 17, 3:00pm

First Church Cambridge

Soloists

 


Falstaff

Music of Giuseppe Verdi

Ron will portray the jealous husband Ford,

As told in Shakespeare’s The Merry Wives of Windsor

Alan Yost, conductor

Opera 51

Friday, June 5, 8:00pm

Sunday, June 7, 2:00pm

51 Walden – Performing Arts Center

Concord, MA 01742

Media

Ron Williams

Maria Kotova and Ron Williams International Vocal Studio

Contact

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